The Doors' 10 Best Deep Cuts

One of music's most influential bands was much more than just their hits

December 28, 2018
The Doors during a press conference at Heathrow Airport, London in 1968

Photo by Central Press/Getty Images

The Doors were like a shooting star through the late 60s and early 70s. They released six studio albums between 1967 and 1971 and were gone. The death of iconic singer Jim Morrison effectively ended the band, leaving behind a stable of hits like “Light My Fire,” “Love Me Two Times,” and “Riders on the Storm.”

But The Doors, like many bands of their era, were much more than their hits. Their music was best listened to as works of art - deserving of a front-to-back listen on vinyl. The poetic words of Morrison and the jazz and blues-infused music of guitarist Robby Krieger, keyboardist Ray Manzarek, and drummer John Densmore inspired countless other artists, and their influence can be heard in every genre since.

Here’s a look at some of the best tracks by The Doors that you may have missed, forgotten about, or haven't heard in awhile.

ALABAMA SONG (WHISKY BAR) - The Doors 1967

The drunken sing-along was taken from a German play from the 1920s.

THE CHANGELING - L.A. Woman 1971

The lead track from the band's final album with Morrison benefited from the addition of a studio bass player.

THE END - The Doors 1967

Related: The Doors Honored At Los Angeles Intersection

The 12-minute song that got the band kicked out out of the Whisky a Go Go for the shocking Oedipus section.

FIVE TO ONE - Waiting for the Sun 1968

No one has ever quite nailed down what the ratio in the song title referred to, but it's one of the band's most rocking songs.

LOVE STREET - Waiting for the Sun 1968

Morrison's ode to Laurel Canyon and his girlfriend's place in it.

MAGGIE McGILL - Morrison Hotel 1970

A hard-stomping blues from the album that also delivered "Roadhouse Blues" and "Peace Frog." Those two songs were surprisingly not singles, but have received so much airplay over the years that they can't be considered deep cuts.

MOONLIGHT DRIVE - Strange Days 1968

Some of Morrison's best poetry, The words convinced Manzarek that starting a band was a must.

SOUL KITCHEN - The Doors 1967

A frequent show-closer for the band because of the lyric: "The clock says it's time to go."

WHEN THE MUSIC'S OVER - Strange Days 1968

At 11 minutes, it was Strange Days' answer to "The End."

WILD CHILD - The Soft Parade 1969

The B-side to "Touch Me," the song was one of the few on the experimental horns-infused album that sounded like classic Doors.

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